Elektra Entertainment drew on the five albums Mötley Crüe had recorded in the 1980s and threw in a few new songs as well when assembling the best-of collection Decade of...
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A surprisingly strong "comeback" of sorts, which had a very long shelf life due to a fistful of hit singles like "Kickstart My Heart," "Don't Go Away Mad (Just Go Away)"...
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Mötley Crüe's albums were a lot like episodes of Married With Children in the sense that they may not be great works of art but can be darn entertaining. With Bob Rock...
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Girls, Girls, Girls continued Mötley Crüe's commercial hot streak, eventually going quadruple platinum as its predecessor, Theatre of Pain, had; meanwhile, the title track...
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John Corabi, who boasts much mightier pipes and a downer 'n' dirtier attitude than the weak-lunged, whiny Vince Neil, steps in--and the band sounds much worse! The...
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The bloozy cover of Brownsville Station's "Smokin' In The Boys Room" is a highlight, but this is pure Metal Lite, MTV-friendly and swathed in pink spandex. Their monster-hit...
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Backing away from the mild pseudo-Satanic posturing on parts of Shout at the Devil in favor of a more glammed-up image, Mötley Crüe really began to hit their commercial...
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High-speed, screechy devil-metal that sounded quite fresh and vital at the time. Don't forget this came out in 1981, long before a lot of other Sunset Strip hair-farmers...
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On their debut album, Mötley Crüe essentially comes across as a bash-'em-out bar band, making up in enthusiasm what they lack in technical skill. Yet that's part of the...
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One of the defining metal albums of the '80s, making way for dozens of pale imitations. A stand-out blend of sharp pop hooks and hard-rock crunch, as the title track, "Too...
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Shout at the Devil displays Mötley Crüe's sleazy, notorious (yet quite entertaining) metal at its best. When compared to its predecessor, Too Fast for Love, one can see that...
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Be careful what you wish for; Vince Neil is back and it's not an improvement over John Corabi's stint. This time around the newly re-formed Crue fancy themselves cyber-savvy...
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Mötley Crüe parted ways with Elektra in the spring of 1998, releasing their second compilation, Greatest Hits, on their own label that fall. Weighing in at 17 tracks,...
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Forget the stylistic dabbling and forced attempts to fit the '90s rock market that plagued Mötley Crüe throughout the decade. New Tattoo is a full-fledged return to their...
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Supersonic and Demonic Relics is mostly the same sort of material the Crüe included as bonus tracks on their 1999 catalog reissues -- live performances, rarities, outtakes,...
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Supersonic and Demonic Relics is mostly the same sort of material the Crüe included as bonus tracks on their 1999 catalog reissues -- live performances, rarities, outtakes,...
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OK, death. But let's give the Crue their due. It might be a little hard in the final gasping moments of the 20th century to comprehend that once upon a scene Motley Crue...
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Packaged as a double-disc set but priced as a single disc, Live: Entertainment or Death features performances of many of Mötley Crüe's best-known songs, covering (almost)...
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In 2003 Mötley Crüe reissued their entire catalog on Motley/Hip-O. Most of the discs included bonus material but this Greatest Hits is a straight re-release of 1999's...
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Forget the stylistic dabbling and forced attempts to fit the '90s rock market that plagued Mötley Crüe throughout the decade. New Tattoo is a full-fledged return to their...
more >
Girls, Girls, Girls continued Mötley Crüe's commercial hot streak, eventually going quadruple platinum as its predecessor, Theatre of Pain, had; meanwhile, the title track...
more >
Shout at the Devil displays Mötley Crüe's sleazy, notorious (yet quite entertaining) metal at its best. When compared to its predecessor, Too Fast for Love, one can see that...
more >
On their debut album, Mötley Crüe essentially comes across as a bash-'em-out bar band, making up in enthusiasm what they lack in technical skill. Yet that's part of the...
more >
Mötley Crüe's albums were a lot like episodes of Married With Children in the sense that they may not be great works of art but can be darn entertaining. With Bob Rock...
more >
Supersonic and Demonic Relics is mostly the same sort of material the Crüe included as bonus tracks on their 1999 catalog reissues: live performances, rarities, outtakes,...
more >
Backing away from the mild pseudo-Satanic posturing on parts of Shout at the Devil in favor of a more glammed-up image, Mötley Crüe really began to hit their commercial...
more >
If you need a serious shot of the Crüe, drink up. Music to Crash Your Car To, Vol. 1 is the first four-disc installment of yet another re-releasing of the band's material,...
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Volume two of Hip-O's Mötley Crüe retrospective, Music to Crash Your Car To, is decidedly less impressive than its predecessor. That's not to say that the poster,...
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Despite not having had a hit since the late '90s, Mötley Crüe remained impossible to ignore. Tommy Lee's high-profile romances, court dates, and television appearances -- he...
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Despite not having had a hit since the late '90s, Mötley Crüe remained impossible to ignore. Tommy Lee's high-profile romances, court dates, and television appearances -- he...
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