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Christmas Coming Early for Seasonal Tours
11/19/2004 10:43 PM, Reuters Jill Kipnis
Deck the halls with concert
tickets.
With more than a dozen Christmas tours launching this
season, organizers say concertgoers are seeking out live
holiday entertainment in impressive numbers.
Though this year was a dismal one for the concert industry,
holiday tours are a completely different animal in the eyes of
concertgoers.
"Ticket sales haven't been the greatest for some artists
this summer, but it's all about playing the right building at
the right time," says Jim Gosnell, agent for the Agency for the
Performing Arts, which is booking Dave Koz's eighth annual
Smooth Jazz Christmas tour. "We were half sold out before
Halloween. Really, the biggest challenge is routing. We have
more offers than we have dates."
Koz's tour is stopping mainly at theaters in major and
secondary markets.
Michael Belkin, president of Clear Channel Entertainment's
Belkin Productions in Cleveland, says ticket counts for the
sixth annual Trans-Siberian Orchestra (TSO) tour are "starting
out stronger than last year, when we sold more than 400,000."
Organizers are confident that new and returning Christmas
tours will sell well this year because of reasonable ticket
prices, increased routing through secondary markets and niche
marketing.
SPECIAL MUSIC, LOW PRICES
With the appeal of Christmas music as the holidays approach
and with tickets for most of this year's shows priced at $50 or
less, organizers say they are likely to attract lots of
consumers.
Last year, a number of established holiday shows, as well
as rookie tours, generated outstanding revenue.
According to Billboard Boxscore, Trans-Siberian Orchestra's
holiday tour grossed $14.1 million from 78 dates. Harry Connick
Jr.'s first 28-date holiday outing grossed $5.1 million, while
Amy Grant and Vince Gill's second annual trek grossed $4.8
million in 16 cities.
Organizers and artists say the key to making Christmas
shows even more appealing is to put a unique spin on their
presentation.
"Every year we think about how to make next year better,"
says Paul O'Neill, founder of Trans-Siberian Orchestra.
On this year's tour, for which seats cost $30-$50, the act
will perform one of its Christmas rock operas for the first
half of the show. The 60-member group, which will split into
two performing units to reach more than 80 cities, will also
play material from its new album, "The Lost Christmas Eve."
For LeAnn Rimes' first Christmas outing, the artist is
partnering with local symphonies to present music from her new
holiday album, "What a Wonderful World," as well as hit
material.
Tickets for Rimes' Symphonic Christmas tour range from $35
to $55. The pricing for Rimes is higher than other holiday
tours, manager Scott Welch says, because of the symphony
connection.
"The ticket pricing difficulties have been on the pop/rock
side," Welch says. "Symphony tickets have always been
expensive. We got routing that made sense and allowed us to
keep the ticket prices reasonable."
Most of this year's Christmas tours are routed through
secondary markets, and many are playing venues of various
sizes.
Latin Christian artist Marcos Witt's tour, for example,
will be held in churches, convention halls and arenas in large
cities and even tertiary markets, ranging from Atlanta to
McAllen, Texas.
"Marcos offers spiritual content, which works best in
arenas that are not very large," says Mauricio Abaroa, Witt's
manager at Houston-based Earth Town Entertainment.
Mannheim Steamroller creator Chip Davis says that its
20th-anniversary tour will include a "Christmas village"
attraction that concertgoers can explore at the venue.
"From the minute you walk in the door, you are greeted by
50 costumed characters and are hearing Christmas music," Davis
says. "We change the atmosphere to dilute the fact that we are
playing in a cold cement building."
Reuters/Billboard
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